Now this would be one heck of an early present: The Entertainment Retailers Association (ERA), which represents retailers who sell entertainment products such as music, DVDs and games, has asked the music industry to end digital rights management by Christmas.
The ERA blames digital copy protection for the slow growth of digital music sales in the UK. ERA Director Kim Bayley told the the Financial Times that DRM is “stifling growth and working against the consumer interest.”
As evidence, pre-Christmas sales are not off to a bang-up start. The music industry makes at least 40 percent of its annual revenue in the fourth quarter culminating at Christmas. The traditional sales build up has started later than usual, and it has industry participants like the ERA nervous.
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You got to give
Several years ago I worked on a research project for a major U.S. newspaper. One outcome was this: not everybody wanted to pay for the whole paper. They’d rather spend a quarter for Sports than 50 cents for everything.
Two significant bits of music news this week: The Beatles are expected to release their catalog into the digital realm sometime in 2008, and U2 has given fans an unprecedented sneak preview of the unreleased song “Wave of Sorrow” through the Facebook app iLike.
Back in early October
That rejoicing you hear. It’s all the video geeks I know reacting to the news that their favorite Website for video sharing, the venerable
Vuze
Miro
The social networking wars are pretty intense these days. Bebo, the global social site popular in the U.K. and Ireland, is differentiating itself from MySpace, Facebook, and the Google Open Social effort by aligning with TV, film, and music companies.
I want to scream. The reason I like downloading TV shows from iTunes or Amazon Unbox is I can watch them later, when I have time. I pay for that privilege, and for no advertising during the show.