Archive for November, 2007

NewTeeVee Live: AT&T's vision for IPTV

The NewTeeVee Live conference is underway in San Francisco with a full house of online video innovators and aficionados. For those of you who couldn’t make it in person, we’ll be posting updates here throughout the day.

AT&T's vision for IPTVFirst up is a look at the opening keynote by Ralph de la Vega, the group president in charge of mobility for telecom powerhouse AT&T. De la Vega shared his company’s vision for the future of IP television, and it’s clear that AT&T sees IPTV as critical to its overall strategy of connecting people with whatever content they want, when they want it, on whatever device they want to use. And charging them along the way, of course.

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DivX playback coming to PS3

divx ps3No sooner do I buy my latest piece of hardware — the iPod Touch — my gadget lust moves on to something new. That something is a PlayStation 3.

Already impressed with the device’s next-generation gaming potential, media playback options, and the inclusion of a Blu-Ray player — and further tempted by the recent price drop — today’s news that DivX support on the PS3 will be arriving shortly, may have just pushed me over the edge.

Ars Technica reports:

DivX has announced that the Sony PlayStation 3 will soon support the DivX video codec. We suspected as much when the PS3 2.0 firmware was released, as it includes the ability to detect both DivX and Xvid files. According to the DivX team, full support will arrive with a future software update. DivX CEO Kevin Hell said in a statement, “We are excited to work with Sony Computer Entertainment to bring DivX to PS3. Our technology will expand the multimedia functionality of PS3 by enabling users to enjoy access to the broad library of content in the DivX digital media format.”

Of course that “broad library of content” which Kevin Hall refers to, includes lots of pirated content such as Hollywood blockbusters or PVR’d television programs (which don’t expire seven days after download).

DivX content may not always sit on the right side of the law, but until the big studios deliver their content online in the way that people want, DivX will continue to be the MP3 for video, and to that end, every digital video device needs to support it.

Miro reaches release 1.0. Go get it. It's that good.

miro logoMiro, the free open-source video player, has reached 1.0 and launched a spiffy player for Windows, Mac OS, and Linux. Drop what you’re doing and go get it.

Miro is that good.

Miro is an alternative to Joost, Windows Media, and iTunes for downloading, watching, and organizing your video. We wrote on it extensively in July, and since then it has improved even more.

Its advantages are listed on the Miro Website, but to summarize:

  • It’s open-source
  • It’s DRM-free
  • It’s friendly to all content creators, professional and user-generated alike
  • It’s high definition
  • It’s BitTorrent enabled
  • It has 2,700 channels listed in the Miro Guide
  • Of those 2,700, about 200 are from commercial broadcasters
  • It connects you to all the video-sharing sites like YouTube
  • Miro uses the VLC video engine to play nearly every video format known to man

And so on.

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Social networking site Bebo aligns itself with TV, film, and music companies

beboThe social networking wars are pretty intense these days. Bebo, the global social site popular in the U.K. and Ireland, is differentiating itself from MySpace, Facebook, and the Google Open Social effort by aligning with TV, film, and music companies.

Bebo announced today Open Media, a new “platform” that gives users the ability to add top-shelf video and music content to their profile pages and share it with others on the network. They become “fans” of a series the same way they can add people as “friends.”

At the same time, Bebo is allowing its diverse content partners like the BBC, CBS, Channel 4, ESPN, Ministry of Sound, MTV Networks, Turner, Ustream, and Yahoo! to use their video players to distribute their content and retain all of the advertising-related revenue.

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NBC Direct disappoints, adheres to network TV schedules

nbc directI want to scream. The reason I like downloading TV shows from iTunes or Amazon Unbox is I can watch them later, when I have time. I pay for that privilege, and for no advertising during the show.

So here comes NBC Direct, the now-in-beta ad-supported service from NBC that lets you download full episodes of the network’s shows to your computer. But guess what? You’ve got 48 hours to view them. In fact, NBC makes the shows available for only seven days after initial airing.

That episode of “The Office” I missed two weeks ago when the DVR failed to record — gone, no longer available on NBC Direct. Same for the first few episodes of “30 Rock.” So what’s the point of a video download service that makes you stick to a schedule, just like network TV?

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Shhh! Google in cahoots with Fuller to change the TV industry?

simon fullerA week ago Google took on the mobile industry with the announcement of the Open Handset Alliance, Android, and the “thousands” of Google-powered phones that could result. Today, Google is taking on the television industry.

The Guardian reports that Google is in secret, hush-hush, behind-closed-doors talks with Simon Fuller, the British entrepreneur behind the Spice Girls and Pop Idol, the world’s most successful TV franchise. Its U.S. spinoff, American Idol, is run by Fuller friend and sometimes rival Simon Cowell.

Little is known about the Google-Fuller collaboration. One line of thinking is that Google’s plans for TV include generating original content and competing with major broadcasters — at the same time competing with mobile carriers, Microsoft, and everybody else who wants a piece of the search giant. We wrote about Google and its TV plans back in July.

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Six digital music pioneers

There is currently a revolution taking place in the music industry. It is common knowledge that music distribution has changed forever with the rise in prominence of digital downloads and the success of portable media players. The media has recently been full of speculation that the record label as we know it will soon disappear. This may or may not happen one day, but the change in the industry certainly isn’t just a recent development. High-profile recording artists have embraced the Internet as a creative and promotional tool since the mid-1990s and more recently have utilised the net as a medium for selling and distributing music independently. Listed below are just a handful of those pioneers. [Please add your own digital pioneers in the comments.]

Aerosmith

Aerosmith Aerosmith have had a long, interesting and varied career, spanning four decades and fourteen studio albums. However, it is a little known fact that Aerosmith offered the first full-length commercial download back in 1994. The track was called “Head First”, recorded initially for the “Get A Grip” album but was later rejected. Geffen Records and Compuserve teamed up to offer the download over their lighting-fast 56kbps connections. The track later appeared as a B-side, but internet history had already been made.

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Weekly wrapup, 5 – 9 November 2007

Here’s a summary of the week’s digital lifestyle action on last100. Note that you can subscribe to the weekly wrapups, either via the special weekly wrapup RSS feed or by email.

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Digital lifestyle news

The big news this week was Google’s much anticipated entry into the mobile phone space. The company won’t be releasing a handset of its own, but instead will release a mobile OS and development platform called Android, with members of the newly launched Open Handset Alliance providing hardware based on Google’s platform, as well as third-party applications.

Dan Lagendorf wrote a great follow-up post expressing his concern that Google’s strategy might not deliver the compelling Gphone we’ve all been hoping for.

In digital music news this week, comScore released data claiming that only 38 percent of people that downloaded Radiohead’s new pay-what-you-want album from the band’s website actually paid anything at all. Later on in the week, Radiohead refuted the claims.

In a post titled ‘NPR opens up NPR Music for our listening pleasure‘ we reported on U.S. radio station NPR’s revamped web presence. Dan Lagendorf says he’s now in music heaven!

Josh Catone reported on the results of a Canadian survey which suggests that illeagal P2P downloading leads to more CD sales. Meanwhile, many are predicting that the major record labels will remove DRM by next summer.

And finally, Sony Ericsson plans a music store of its own.

More digital lifestyle news:

That’s a wrap. Enjoy the rest of the weekend! 

Are movie rentals finally coming to iTunes?

itunes movies smallThanks to the snooping of Evan DiBiase, it looks as though movie rentals are finally coming to iTunes.

Before installing any iTunes upgrade, DiBiase dumps the strings from the old iTunes binary, installs the upgrade, and compares old vs. new “to see what shows up.” Well, this is what he found.

rental – content

rental – bag

rbsync

source – rental – info

dest – rental – info

getvodaccountselectionlist

GET VOD ACCOUNT SELECTION LIST

supportsRentals

Although Apple has not announced movie rentals or VOD, it’s long been speculated that these are coming to iTunes, especially in light that Amazon and Netflix are already leagues ahead of Apple in digital movie rentals.

As DiBiase writes, “It sure looks like video rentals . . . are coming to iTunes soon. If they did, I would sure get more use out of my AppleTV.”

Ditto.

Update: Radiohead says its fans are not cheapskates

radiohead_smallEarlier this week the Web was abuzz that Radiohead’s pay-what-you-want experiment with its latest album, “In Rainbows”, drew a surprising number of freeloaders. But wait!

Radiohead claims that comScore, the Internet company which provided the initial numbers, is “totally inaccurate.” Radiohead said in a statement (via matthewingram.com):

“In response to purely speculative figures announced in the press regarding the number of downloads and the price paid for the album, the group’s representatives should like to remind people that . . . it is impossible for outside organisations to have accurate figures on sales.

“However, they [the band] can confirm that the figures quoted by the company comScore, Inc., are wholly inaccurate and in no way reflect definitive market intelligence or, indeed, the true success of the project.”

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