I can’t say I’m surprised but it’s sad nonetheless. Ad-supported music download service SpiralFrog appears to be no more.
Unable to raise a further round of funding and crippled by debt, the service couldn’t overcome “a macro-economic perfect storm”, a source close to the company tells CNet.
Basically, any startup whose revenue is purely tied to advertising is facing tough times – last100 included – as the downturn means that brands are cutting their marketing budgets or at least being far less experimental in how they spend their money. That’s bound to make new business models like SpiralFrog’s particularly vulnerable.
If it wasn’t already clear who owns the customer – Apple or its mobile carrier partners – yesterday’s announcement that ‘In App’ purchases will be a prominent feature of the next version of the iPhone’s OS suggests, once again, that power resides very much with Steve Jobs and co. in Cupertino.
When iPhone OS 3.0 is rolled out this summer, developers will be able to charge for additional content within their applications – so that, for example, an iPhone game could at anytime prompt a player to purchase additional levels or other in-game content, such as maps, without the user having to leave the app and billed through their existing iTunes account. For the privilege, Apple takes its standard 30% cut, once again bypassing the carriers. That in itself is disruptive enough. However, there’s another force at play.
Micro-payments. Or more broadly, in an era of free and ad-supported, getting consumers used to the idea once again of actually paying for content, albeit online.
No longer a ‘one trick pony’, Vudu’s ambition to become a fully-fledged platform, capable of pulling in content from a range of third-party services, appears to be bearing fruit.
Today the company announced that owners of its set-top box now have access to Internet radio service Pandora. Features include support for multiple Pandora accounts, “enabling every member of the family to play his or her own personalized Pandora stations”, along with the ability to create custom stations and tweak them dynamically by thumbing tracks up or down.
March 12th, 2009 | Posted in Audio, Mobile | Comments Off
Vodafone, which currently operates music download stores in over 20 countries, is to become the latest company to jump on the DRM-free bandwagon, announcing this week that it will soon be transitioning its music catalog away from the copy-protected WMA format to standard MP3s. Additionally, customers will be able to covert their existing Vodafone purchases to DRM-free versions at no extra charge, unlike Apple’s current iTunes arrangement where users wishing to ‘upgrade’ are effectively asked to pay twice.
That’s the good news as far as Vodafone is concerned. The bad: only three of the four major record labels are on board – Universal Music Group, Sony Music and EMI – with Warner, for now at least, refusing to join in the fun, and the whole DRM-free deal only applies to a la carte downloads not Vodafone’s MusicStation all-you-can eat subscription service.
March 11th, 2009 | Posted in Audio, Mobile | Comments Off
Perhaps to the disdain of mobile carriers, Nokia continues to ramp up its own music offering. Three new music-focused handsets were announced today, along with expansion of the company’s own music download store and all-you-can-eat ‘Comes With Music’ subscription-based offering.
Of the three new handsets, the most interesting is the higher end XpressMusic 5730 (available Q3, €280), which is Nokia’s first music phone to feature a full (slide out) QWERTY keyboard, and just like the 5800, runs the company’s Symbian S60 smartphone OS. The 5730 is being pitched as both a music-centric and messaging – think email, IM and social networking – device, featuring a redesigned home screen that gives shortcut access to the phone’s music library, and the socially-aware ‘contacts’ bar, which is able to pull in the latest communication and RSS feeds from up to 20 of a user’s most important contacts.
The video demo of the upcoming version of Spotify for iPhone (and iPod touch) that was yanked from YouTube has reappeared via Tech Digest. The mobile version of the streaming music service looks as polished as Mike Butcher over at TechCrunch UK first reported, although now that I’ve had a few hours to ponder its existence, I can see a number of reasons why Apple may never allow Spotfy into the iPhone App Store. Spotify isn’t the only music streaming app for iPhone (and therefore iTunes competitor) but it differs in two crucial ways:
Unlike Last.fm or Pandora, specific tracks and whole albums can be streamed on-demand, as apposed to having to be content with the choices or recommendations of the app itself – with no limits aside from the size of Spotify’s music catalog.
According to reports, Spotify on iPhone is able to cache tracks referenced in the playlists it creates so that the service can still be used outside wireless coverage. This solves one of the major drawbacks of streaming-only offerings and makes Spotify a much more direct iTunes competitor. Interestingly, Slacker offers similar functionality in its Blackberry mobile app but stripped off-line plackback from the company’s iPhone version.
I recently hailed Spotify as my streaming music service of choice but bemoaned the lack of a mobile version. That’s set to change, reports my friend Mike Butcher over at TechCrunch UK, with a working version for Apple’s iPhone and iPod touch already in existence – though not yet publicly available through the App Store – along with a Symbian S60 version in development.
Interestingly, Butcher says that it’s rumored that the iPhone client will only be available to users who use the paid-for version of the service, which is certainly one way for Spotify to sell more subscriptions. Right now the audio ads that persist on the free version of Spotify aren’t intrusive enough to make me want to switch to the paid version, but adding more value through a mobile client could make the difference. Especially if playlists can be ‘cached’, as Butcher suggests, so that you’ll still be able to use Spotify on the go even when you’re without a wireless connection. This will also help to save on battery life too, which can an issue with any mobile streaming service, not just Spotify.
After viewing a video demo of Spotify running on the iPhone (which has since been yanked from YouTube), Butcher says that, with the addition of a mobile client, the service “could even give the iTunes store a run for it’s money”, since it gives instant access to millions of tracks. “Assuming Apple lets it into the App Store of course”.
Twelve months ago, free ad-supported music download service Qtrax launched in a blaze of controversy, most notably claiming it had support from all four major record labels, which was news to them. Qtrax is going after the holy grail of music, free and legal downloads, and so it wasn’t surprising that the company faced a licensing uphill battle. A year later and all the “t”s have been crossed and the “i”s dotted: EMI, Warner, Sony BMG and Universal Music are on board, reports AP, and a relaunch is planned for next month. However, a few questions remain.
My music streaming weapon of choice used to be Pandora, the Music Genome Project-based service in which a group of experts have analyzed the component parts or ‘genes’ of thousands of tracks in order to recommend like-minded music. I not only found its recommendations (play tracks similar to artist or genre x) to be more accurate than rival Last.fm, but also loved its simple User Interface, designed perfectly for when I’m in a lazy listening mood. The problem is that Pandora stopped being accessible from the UK a while back. Enter Spotify, a new music streaming service, which this week publicly launched in the UK.
It won’t be popular, yet Pandora’s decision to introduce audio ads is almost certainly necessary to keep the service running and, therefore, something I welcome. Especially if it helps bring the service back to the UK.
Rolled out with little fanfare, besides an acknowledgment on the company’s Twitter feed, the music streaming service has started serving audio ads, reports TechCrunch. While they do interrupt the music, the ads are “fairly sparse”, says Jason Kincaid. And I’ll have to take his word for it.
Major record labels to Apple: You can ditch DRM completely in return for higher prices.
That’s right, the major labels have finally got their way as, come this April, Apple’s iTunes will introduce “variable pricing”, with tracks costing either 69 cents, 99 cents or $1.29, depending on how popular they are likely to be. In return, Apple gets to move all 10 million tracks in its iTunes store over to a DRM-free format — 256 kbps AAC — including those from Universal Music Group, Sony BMG, Warner Music Group and EMI, along with thousands of independent labels, something that’s been partially lacking compared to rival stores such as Amazon MP3.
While Apple asserts that the majority of music sold will be at the new lower price of 69 cents (currently all tracks retail at a unified price of 99 cents), at the labels’ request, the most sort after songs will be priced at the higher $1.29. This is the crucial part, since if you follow the Long Tail of digital music downloads, naturally a significant amount of activity — think new releases from established and well backed artists — happens at the fat not thin end of the ‘tail’, where tracks will likely be priced highest.
There was lots of activity in the Digital Lifestyle space in 08 with new devices, services and platforms being launched, and some of our favorites from last year receiving significant updates. One notable trend throughout is the way in which these products and services began to converge. Not in the sense of all-in-one devices, although these do exist, but through hardware, services and content playing nicely, often through open standards, platforms or partnerships, with the Internet acting as a conduit. On that note, here’s my pick of the best ten Digital Lifestyle products of 08.
I can’t say I’m surprised but it’s sad nonetheless. Ad-supported music download service SpiralFrog appears to be no more.
If it wasn’t already clear who owns the customer – Apple or its mobile carrier partners – 
Vodafone, which currently operates music download stores in over 20 countries, is to become the latest company to jump on the DRM-free bandwagon, announcing this week that it will soon be transitioning its music catalog away from the copy-protected WMA format to standard MP3s. Additionally, customers will be able to covert their existing Vodafone purchases to DRM-free versions at no extra charge, unlike Apple’s current iTunes arrangement where users wishing to ‘upgrade’ 
I recently hailed Spotify as my streaming music service of choice but bemoaned the lack of a mobile version. That’s set to change, reports my friend Mike Butcher 
My music streaming weapon of choice used to be Pandora, the Music Genome Project-based service in which a group of experts have analyzed the component parts or ‘genes’ of thousands of tracks in order to recommend like-minded music. I not only found its recommendations (play tracks similar to artist or genre x) to be more accurate than rival Last.fm, but also loved its simple User Interface, designed perfectly for when I’m in a lazy listening mood. The problem is that Pandora stopped being accessible from the UK a while back. Enter 
It won’t be popular, yet Pandora’s decision to introduce audio ads is almost certainly necessary to keep the service running and, therefore, something I welcome. Especially if it helps bring the service back to the UK.
Major record labels to Apple: You can ditch DRM completely in return for higher prices.
There was lots of activity in the Digital Lifestyle space in 08 with new devices, services and platforms being launched, and some of our favorites from last year receiving significant updates. One notable trend throughout is the way in which these products and services began to converge. Not in the sense of all-in-one devices, although these do exist, but through hardware, services and content playing nicely, often through open standards, platforms or partnerships, with the Internet acting as a conduit. On that note, here’s my pick of the best ten Digital Lifestyle products of 08.